The Red Eye
Jackie's award-winning feature outing. The Red Eye earned her a Best Director award and screened as an official selection at numerous festivals.
Filmography
The work.
Selected credits across directing, screenwriting, and producing — from award-winning indie features to a UK co-write and broadcast campaigns.
Directing
The floorAward-winning features, music videos, and set-floor leadership — directed with the calm of someone who has spent her career on working sets.
Lover — Cinderella
A cinematic music video directed for Cinderella — the spotlight-and-roses shoot behind several of the photos on this site.
Call sheetDay 01
Disc Jockey
1st ADJ. Taylor
ProducerJ. Taylor
Crew call07:00
Indie film · First Assistant Director & Producer
Disc Jockey
Jackie ran the floor as first assistant director on this independent feature, keeping the day on schedule while also wearing the producer hat.
Screenwriting
The pageOriginal features, a UK co-write, and campaign copy built for broadcast.
The Reel World
Written, directed, and produced by Jackie — her own story, carried from first draft to final cut.
The Shadow
Man a feature screenplay written by Jackie Taylor & Stuart Quinn
UK feature · Co-writer
Man a feature screenplay written by Jackie Taylor & Stuart Quinn
The Shadow Man
A UK feature co-written with Stuart Quinn.
The Tailgate Toolkit
A 30-second commercial for the Vancouver Island Construction Association's Tailgate Toolkit campaign, spotlighting the struggles construction workers face and the support available to them: actionable tools for mental health, communication, and resilience.
Jackie wrote and directed the spot, plus the campaign's radio ad, broadcast BC-wide across 61 TV networks and radio stations.
The development slate
Original projects written and packaged, currently in conversations with production companies, networks, and vertical platforms.
Something Strange
When a skeptical private investigator falls head first into a case that defies explanation, she’s pulled into a hidden world of restless spirits, cursed objects, and dangerous entities, forcing her to wonder whether the evil that scarred her as a child ever truly left.
A full season outlined, three episodes written and refined through a successful table read, with raving early reviews from directors and producers.
In talks with networks
The Heiress and the Dockhand
Trapped in a life she didn’t choose, a wealthy heiress falls for the dockhand who saves her life, until a symbol tied to her mother’s disappearance pulls them into a dangerous truth her family will do anything to bury.
In talks with platforms
A Ring to Die For
After a whirlwind romance, a widowed woman says yes to the perfect man, only to discover the ring on her finger carries the voices of the women who didn't survive loving him.
In talks with platformsProducing
The whole pictureHands-on producing shaped by a props master's resourcefulness: real budgets, real logistics, productions that land on their feet.
The Reel World
Produced her own project end to end — every department, every dollar, every day of the schedule.
The Red Eye
Produced alongside her directing duties, and brought home with a Best Director award and festival selections to show for it.
Call sheetDay 01
Disc Jockey
1st ADJ. Taylor
ProducerJ. Taylor
Crew call07:00
Indie film · Producer (also First AD)
Disc Jockey
Produced this independent feature while running the set as first assistant director.
The foundation
Before the chair.
Jackie's career started in the locations department — Maid, Chesapeake Shores, The Christmas House 2, and The Wedding Veil trilogy, plus 28 other movies of the week. Props pulled her in on Chesapeake Shores and If I Run, and she stepped up as prop master on The Stars Between Us, Two for Tea, and the new Crave series YAGA. That crew mileage is in every frame she makes.
Want the full credit list?
Reach out for Jackie's complete resume and current projects.
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